![]() ![]() That being said, the workflow of Pro-Q3 is also absolutely incredible. Using Pro Q3 is extremely satisfying, and it looks great, but none of it matters if the workflow isn’t up to par. The main part of the dark GUI consists of a large interactive EQ display, with splashes of colour, wherever you add or change something Like all other FabFilter plugins, the GUI of Pro-Q3 is simple, sleek and beautiful. There aren’t any other EQ plugins, that offer just as much as Pro Q 3 does, while retaining the same intuitiveness fast workflow, that this plugin is so well known for. The slope settings range from a very subtle 6 dB/octave slope, to a 96 dB/octave slope, as well as a brickwall setting.įabFilter Pro Q 3, is the best EQ plugin you can get right now, that’s as simple as it is. ![]() This lets you instantly change the frequency balance of your audio, which can be extremely helpful, to quickly and easily make things brighter, or darker and more muffled.Įach Filter also has adjustable filter slope which adjusts the “steepness” of your filter. ![]() While this may not be an issue to most beginners, for advanced users, this amount of customizability in your EQ is an absolute must. Linear Phase mode leaves the phase untouched, only affecting the magnitude of the frequencies you’re processing. This is the most efficient mode that Pro Q 3 has, but with more drastic Low or High cuts, you can alter the phase response of your input signal.ĩ0% of the time this is not an issue, but, when it is, a Linear Phase processing mode can really help you out. The Zero Latency mode has perfect analog matching, while keeping the latency at zero. While these modes of processing could be an entire article on their own, to keep it short, these modes affect the phase relationships in your EQ. In addition to the Mid/Side modes, you also get to choose from 3 different types of processing: In addition to this, you can keep adding new EQ bands on top of this, as well as have dynamic bands too. ![]() This is extremely helpful during the mastering process, where you can use Pro Q 3, to remove the 0-25Hz Mud in the Mid channel and 0-100Hz on the Side channel. Setting up a Dynamic notch on your bass channel, then routing your kick to it, instantly creates space for both elements, without permanently changing the frequency characteristics of either. One of my favourite things to do with Dynamic EQ is sidechaining. This is extremely useful when you want to remove clashing frequencies, but only when they become too much of a problem.įor instance, if you have a resonance you want to remove, but when you remove it, it affects an integral part of the sound, dynamic EQ will remove it enough for it to stop causing issues, but also keep some resonant information there, so you don’t ruin your sound. This lets you set active EQ bands, that only attenuate your signal, whenever you want it to.Įssentially, Dynamic EQ makes your filter shapes follow the audio, rather than having a static amount of cut or boost. In fact, any bell or shelf band can be switched to dynamic mode.ĭynamic EQ bands are awesome when you want to combine the characteristics of a compressor, with standard linear phase equalization. Probably one of the most important features of FabFilter Pro Q 3, the Dynamic EQ mode. This is probably the only downside to Pro Q 3, It is very much a precise and transparent equalizer. There are however times when you might want to have a more colorful equalizer plugin, to add sweetness to your top end etc. It does everything you want it to do, without leaving a trace of it being there. Fabfilter pro q 3 widen stereo bands professional#Razor sharp frequency cuts, and the almost surgical level of precision you can set your Pro Q3 to have, makes it a benchmark for professional EQ’s everywhere. Other than what you tell it to do, FabFilter’s Pro Q 3 does not affect your sound in any other way. Probably the first calling card of this incredible Digital EQ, is it’s precision and transparency. ![]()
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